It’s so much easier to study about about Jesus than to be a student of Jesus. We face the constant temptation to fill our heads with the details of his life and ministry. Pastors and college professors emphasize the need to memorize Bible verses or learn Greek and Hebrew. Publishers produce massive volumes of systematic theology. Popular Christian books suggest Biblical keys to success for our finances, healing, or any other human need. But Jesus is not a system, he is a person.
06.02.12 ♥ 21429

One of the things that we love most about Once Upon a Time is that, while Mary Margaret may be the soggiest lettuce in town, Snow White is a highwaywoman, a fighter, and a swashbuckler—every bit Prince James’s equal. Snow White is no longer a prize to be claimed, no longer an object to be won, and no longer a passive element in what is supposed to be her own story. And if she needs rescuing, she is quite capable of rescuing herself, thank you very much.

This is both so very needed and very empowering. It’s powerful to not only create new stories that empower marginalised bodies, but re-examine these old tropes and challenge them in a way that not only sets a new paradigm but highlights how wrong the old paradigm was.

The problem, of course, is that strong woman still means straight, able bodied, cisgender, and white. Snow White may not necessarily be waiting in her coffin for true love’s first kiss, but we do know that there will be a love interest and it will most certainly involve a man.

We always expect fairy tales to be 100% straight simply because they are seen as children’s stories (and pervasive bigotry holds that any GBL&T inclusion is both sexual and obscene) and because they are often seen as historical (and, for some bemusing reason, there’s a stubborn idea that all GBL&T people arrived from space in the 70s or 80s) so any GBL&T inclusion in this genre is always an uphill struggle. But nearly all fairy tales—and certainly most of the ones popularised by Disney—revolve around a romance. The Princess will meet her Prince, and then there will be Happily Ever After.

Unlike the Disney version where Black is seen as negative through the clothing choices of the evil queen, modern incarnations of Snow White do have characters of colour. These characters are always secondary and work to serve either the protagonist or the antagonist. Their characters normally can be erased from the film or television show in question without being missed, making it appear as though the choice to include a person of colour was based in a hope to forestall critique based in a lack of racial inclusion.

The perfect example of this is the magic mirror in Once Upon A Time,who lives to follow the orders of Regina, The Evil Queen. The actress who plays Regina is Latina, but nothing about the character of Regina reads anything other than white. Even taking her as Latina, when we then consider that Snow White is meant to represent the epitome of white female beauty and that she is battling a woman of colour to see who is the fairest in the land…definitely there is a problem. It suggests that no matter how conniving a woman of colour is that she will always and forever be second because she can never attain the true beauty of a white woman.

It is no accident that, as the population demographics change, there has been a return to Snow White. No matter the text, there are constant references to her pale skin and dark flowing hair. Snow White is exclusionary from start to finish—no matter how many side characters of colour are included—simply because the role could never ever be played by a woman of colour. If the desire behind it were to actually revisit folklore, there are plenty from cultures of colour that would make fascinating stories. The fact that these stories have been ignored to once again focus on a narrative that is exclusionary tells me that this is about upholding whiteness as a standard for what is good and pure in this world.

— Kudos to Paul and Renee from Fangs for the Fantasy for their comprehensive post on what’s right and what still needs to be improved upon with updating fairy tales the R today.  (via racialicious)

intricatelysimple:

Etta Bond - Ask Me To Stay 

tballardbrown:

When I set out to make a documentary about black women who are “transitioning” — cutting off their chemically straightened hair and embracing their natural kinky afro texture — I had no intention of appearing in the film. I felt I was an objective observer and really just wanted to highlight a growing movement. (Of the 50 or so women I struck up conversations with randomly on the street, the vast majority had gone natural within the last three years. According to one industry study, sales of chemical straightening kits, which can be harmful, reportedly dropped by 17 percent between 2006 and 2011.) But including my own story forced me to examine how I felt about my hair with more honesty than ever before.        

(via Black Women’s Transitions to Natural Hair - NYTimes.com)

Nothing good ever comes easy. Think of the ease which we fall. Distractions become destruction. A taste becomes addiction. A lie becomes your life.
The good takes an uphill climb. Discipline becomes delight. Perseverance becomes maturity. Love is a choice. All things beautiful start from the broken, and with focus emerges how we were created to be.

— (via jspark3000)

06.02.12 ♥ 18097
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First Band on the Moon
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90sjamz:

Love Fool | The Cardigans

What I didn’t yet understand was the importance of taste and timing. Books are like people. Some look deceptively attractive from a distance, some deceptively unappealing; some are easy company, some demand hard work that isn’t guaranteed to pay off. Some become friends and say friends for life. Some change in our absence — or perhaps it is we who change in theirs — and we meet up again only to find that we don’t get along any more.

— Mark Haddon, The Right Words in the Right Order (via distantheartbeats)

05.28.12 ♥ 1178
bookmania:

White eclectic rustic vintage classic modern living room; ceiling-to-floor shelving and art. Pretty cool. © Sidney Morning Herald

bookmania:

White eclectic rustic vintage classic modern living room; ceiling-to-floor shelving and art. Pretty cool. © Sidney Morning Herald

maudit:

“A form of cinematic punctuation very strongly identified with Kurosawa is the wipe. This effect is created through an optical printer, in which, when a scene ends, a line or bar appears to move across the screen, “wiping” away the image while simultaneously revealing the first image of the subsequent scene. In Rashomon the use of the wipe emphasizes motion in traveling shots, marking narrative shifts and marking temporal ellipses between actions.” (x)

maudit:

“A form of cinematic punctuation very strongly identified with Kurosawa is the wipe. This effect is created through an optical printer, in which, when a scene ends, a line or bar appears to move across the screen, “wiping” away the image while simultaneously revealing the first image of the subsequent scene. In Rashomon the use of the wipe emphasizes motion in traveling shots, marking narrative shifts and marking temporal ellipses between actions.” (x)